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Schrödinger's Baby




3channels video installation

week 04 00:05:25

week 08 00:04:11

week 16 00:04:19



In Schrödinger’s Baby(2019/20), TZUSOO alludes to the popular thought experiment devised by Austrian physicist Erwin Schrödinger in 1935. Schrödinger proposed a scenario in which a cat is locked in a box with an unstable radioactive atom that could potentially begin to emit radiation and release a toxic gas. However, there is no way to say with certainty when or indeed whether this will happen without opening the box. The result is a paradox, with Schrödinger asserting that the cat enters a state of superposition that makes it impossible to say whether it is alive or dead.


The South Korean artist translates this famous paradox into the reality of her own life, creating a digital baby in virtual space. Based on her inner grappling with potential motherhood, TZUSOO bought the digital model of a developing embryo, refining it according to her own ideas. She is free to determine the sex, skin colour and other characteristics or to dispense with all specifications so as to avoid stereotyping. In Schrödinger’s Baby, TZUSOO thus discuss core aspects of her work including reflection on gender and origin for which she also draws on her personal experience as a South Korean artist in Europe. Being a digital native herself, TZUSOO often uses virtual technology applications in her work, creating avatars that operate in dreamlike settings oscillating between devastated landscape and hyperreality. This contrast of utopia and dystopia may also be seen to refer to all-embracing digitisation and its development. The future is not imaginable and it is not possible to foresee how the further development of artificial intelligence will play out and which ethical questions will need to be discussed in the course of this transhumanist discourse. For example, what will the possibility of digital surrogate motherhood entail and what responsibility do we have for the avatars we create or indeed they for us? TZUSOO’s works raise many questions connected with the current uncertainty of rapid digital development. We have long since reached the end of thinking in terms of linear progress and we now find ourselves in a world of exponential digital development. The experiment is therefore already in full swing, and in this digital world humanity is facing questions that we will only be able to answer when the future has become the present and we have opened the box.


Text  Sebastian Schmitt

“Schrödinger’s Baby(2019)” explore the challenges of motherhood and pregnancy in modern society.

“Schrödinger’s Baby” manifests as a captivating triptych of video installations. Within this composition, TZUSOO ingeniously transposes the renowned Schrödinger’s paradox into the realm of her individual existence, ushering forth a virtual infant ensconced within the digital expanse. Rooted in her internal contemplation of prospective motherhood, TZUSOO procured a digital prototype of a burgeoning embryo, sculpting it in alignment with her own imaginative conceptions. Here, she wields the autonomy to dictate the infant’s gender, complexion, and sundry attributes, or opt to eschew all specifications, eluding the confines of conventional classification.

Through “Schrödinger’s Baby”, TZUSOO embarks upon a profound exploration of cardinal elements within her artistic body of work, notably delving into introspections on the facets of gender and lineage. This expedition finds its origins in her distinct odyssey as an accomplished international female artist operating within the contours of the contemporary panorama.

at Oberwelt e.V., Stuttgart, Germany, 2020


The sound in the video is from TZUSOO's womb and heart.

Installation inspired by triptych.


week 06


week 08


week 16


Blech Raum für Kunst Halle e. V., Halle, Germany


Schrödinger’s Baby was developed as part of the Summer Session Network for Talent Development in a co-production of Art Center Nabi, Seoul, South Korea and V2_ Lab for the Unstable Media, Rotterdam, Netherlands.

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