PANDEMIC EDEN

TZUSOO

2022

150 x 200 cm

3 pieces, Giclee prints on Sihi Smooth papers, Douglas Framed, Glasses

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Pandemic Eden 2, 2022.jpg
Pandemic Eden 3, 2022.jpg

The feeling left in the end of the pandemic. What kind of mark is the immense Covid-19 history
going to leave? I carefully replace this brutal experience with my own launguage, doing my duty
as an expresser.

Disconnection, amputation, healing, blood, religion, bandages, 1st, 2nd and 3rd and 4th
extended vaccines and injections, marks, scars, an inoperable body. Looking back, we were still
wriggling. Barely sustained by fine needles, allowing sensitive parts to be pierced, we were all
wriggling somehow.

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 GMOMA, Gyung-gi Modern Art Museum, South Korea, 2022

전시공간01.jpg

 GMOMA, Gyung-gi Modern Art Museum, South Korea, 2022

전시공간 03.jpg

 GMOMA, Gyung-gi Modern Art Museum, South Korea, 2022

I Feel Uncanny When You Touch Me There

TZUSOO

2022

Three-Channel Video Installation with Sound

Sound by Aimy Moon, Team Zero, Chanjae Park

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It’s about how vulnerable life has been the past 6 months:

1.working as an artist in a virtual world most of the time,

2.psychological servers constantly switching,

3. having uncanny sex.

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Wunderkammer, Stuttgart, Germany, 2022

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Wunderkammer, Stuttgart, Germany, 2022